The successor to the 127 was created with innovation and technology in mind: compact yet very spacious dimensions, superior style and finishes, combined with the high efficiency of robots in the manufacturing process. The Uno was destined for great success from the outset.
On New Year’s Day 1983, the US university and government project ARPAnet acquired the TCP/IP protocol: this was the beginning of the internet. Even if the web still remained to be developed, the technical basis was ready for the greatest revolution towards the end of the last century. In the same month, again in the US, the Turin-based brand unveiled a vehicle that would go on to dominate the compact car market for many years: the Fiat Uno.
The venues for the travelling presentation were in Florida; journalists from all over the world went from Orlando to Cape Canaveral – the latter a symbol of the conquest of space – and from the Daytona circuit to EPCOT, inspired by the futuristic city dreamt up by Walt Disney and inaugurated in late 1982. The writers’ journey, passing through the capital of space, was aimed at looking ahead to a technology-driven future.
Designed by Giorgetto Giugiaro’s Italdesign, the successor to the glorious Fiat 127 was a compact hatchback with a heavily inclined bonnet and windscreen, featuring clean, essential lines to emphasise the height of the passenger compartment and how it benefited from so much space and versatility. Its other features included wraparound doors with no weatherstrip, and a tailgate that also wrapped around slightly to the side. The five-door version was equipped with a third side light, streamlining the pillar and brightening the passenger compartment.
The interior was dominated by a simple, modern dashboard, with control satellites arranged around the instrument cluster and a full-width shelf.
The great success of the 128 and especially the 127 highlighted the advantages, not only in terms of road holding, of a technical architecture that left ample space in the passenger compartment despite a small external footprint: transverse front engine and front-wheel drive. Compared to its predecessor, the geometry of the rear axle was improved, to a more comfortable and effective semi-independent suspension.
The highly reliable four-cylinder 903-cc, 45-hp engine derived from the 127 remained until it was replaced in 1985 by the new generation of “FIRE” engines. At launch, alongside the Uno 45, the Uno 55 was also available, with its 1100-cc engine from the Ritmo 60 and four- or five-speed gearbox (which would evolve the following year into the Uno 60, with the option of automatic transmission), as well as the Uno 70 with the 1300-cc engine from the Ritmo 70 and a five-speed gearbox. In total, between the three- and five-door variants, seven versions were available, from the normal trim level to the higher-spec “S”.
The leap in quality was remarkable, not so much and not only for the choice of materials, but most of all for the enormous financial effort involved: five years of studies and design, with a budget of around one trillion Italian lire, constituting the largest investment Fiat had ever made at that point. For the first time, assembly and painting robots were used at the Rivalta and Mirafiori plants, where the introduction of sophisticated mechanisation significantly improved the homogeneity and quality of production.
As if to counterbalance the advance of technology, the Fiat marketing department created an original and innovative advertising campaign, focused on commercials with curious animations by the cartoonist Forattini, giving rise to a series of terms that have now been in common usage for many years. The Fiat Uno was designed to look like a cute little elephant on wheels, which was transformed to bring out the idiosyncrasies of the car. This formed the basis for several neologisms in Italian: “comodosa” (‘comfy and cosy’, similar to the Danish and Norwegian concept of hygge), with the little elephant in the shape of an armchair; “sciccosa” (‘swanky’), wearing top hat and tails; “risparmiosa” (‘money-saving’), turning into a piggy bank; and finally “scattosa” ('snappy’), with the little elephant like a cat out of a bag.
The success of the Fiat Uno was almost immediate: it went down so well with both the market and insiders that it was named Car of the Year in 1984. Its main strengths were a large passenger compartment that could accommodate up to five people and a large boot that could easily be accessed from the tailgate. But not only that: the innovative dashboard with two satellites to control nearly everything on the sides of the dashboard was also very popular. Only the direction indicator used the conventional lever behind the steering wheel, whereas the air conditioning controls were in the middle, lower down under the air vents. Just as effective was the single central windscreen wiper, which included intermittent relay and a range of speeds.